Collab & Consult

Since Cheryl D Holmes Miller's 1987 Black Designer's Missing in Action, there have been far too many calls for increased access and visibility of Black folx in Graphic Design education and the field at large. In 1998, Sylvia Harris offered educators ways to continue Searching For a Black Aesthetic in American Graphic Design. We now live in an age of a rising tide of Black Design Pedagogy, where the legacies of Radical, Intersectional Black Feminism. Simultaneously, the recent cluster Black Design Faculty at OCAD University, led by the first Black Dean of Design of any program in the world—Dori Tunstall—shows that progress sometimes happens quickly and sometimes slowly. Meanwhile, many Black Design educators have done been doing the work for years. Audrey Bennet brings an update to her Towards an Autochthonic Black Aesthetic for Graphic Design Pedagogy that brings us back to this course's beginning. Her work shows that by studying the ethnomathematics of African design, art, and architecture, as seen in the research on African Fractals by Dr. Ron Eglash, we can shift the underlying cultural grids of design education. This talk offers strategies and examples 0f educators and designers who are drawing inspiration from Black cultural aesthetics.

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Radical Design Pedagogy: Towards an Autochthonic Black Aesthetic for Graphic Design Pedagogy

with Audrey Bennett
Since Cheryl D Holmes Miller's 1987 Black Designer's Missing in Action, there have been far too many calls for increased access and visibility of Black folx in Graphic Design education and the field at large. In 1998, Sylvia Harris offered educators...

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Behind and Ahead of the Times: Histories and Futures of Black Futurity

with Lauren Williams, Silas Munro
The Black experience(s) in the United States cannot easily be extracted from how we are collectively situated in time: it is shaped simultaneously by the weight of past and present oppressions and the precarity of our futures. White supremacy would...

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Funk, Blaxploitation, & Hip Hop Aesthetics

with Tasheka Arceneaux-Sutton, Pierre Bowins, Silas Munro
From the bass heavy riffs of Curtis Mayfield’s SuperFly 1973 soundtrack to the scratch and synthesized Brox rhythms of 1970s and 1980s DJ’s like Afrika Bambaataa and Grandmaster Flash—the histories of Black music and Black design have been intermixed. Many scholars have foregrounded Phase...

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Black Revolutions: Organizing the Production of Black Design

with Chris Dingwall
The cover of the August 1969 issue of Ebony declared the age of The Black Revolution. As a commodity, however, the issue of Ebony embodied the ethos of Black capitalism. The flagship publication of the Johnson Publishing Company, was the largest Black-owned...

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Iterative Identity: Art Deco, World’s Fair, and American Limits on Humanity

with Omari Souza
One of the key promises of the American Dream made by the automobile industry in the 1930s–1950s was the individual freedom of a car owner on an open road. This was marketed with innovations in advertising, exhibition design, and product...

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Strikethrough: Typography Messages of Protest for Civil Rights

with Colette Gaiter
In the 1960s and 1970s of this country, everyday activists took to the streets with placards in their raised arms with urgent messages made visible in typographic form. This selection of protest graphics will focus on a Black experience. However,...

Free

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The Great Migration: Harlem Artists Guild, and the 306 Group

with Tasheka Arceneaux-Sutton
The harsh impact of Jim Crow laws in the South of the United States triggered a mass exodus of  Southern Black Americans to northern cities seeking equality and economic opportunity. Cities like Chicago, New York, and Philadelphia were well known...

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Black Queer Stories in Print: 19th Century to the Harlem Renaissance

with Jon Key, Silas Munro
In the 1830’s The Sun Newspaper ran a story never shared before in print: a man by day and woman by night who was on trial in New York for theft. Mary Jones/Peter Sewally was one of the earliest known...

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Black Data: W.E.B. Du Bois and Data Visualization

with Jason Forrest, Silas Munro
Known for being a prolific author, renowned sociologist, fierce civil rights advocate for people of color, founder of the NAACP, and historian, WEB Du Bois was also a pioneer of data visualization. The American Negro was one initiative of the...

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Blackface and Minstrelsy Tradition

with Kelly Walters
This lecture will explore a brief history of Black representation as it appears in music publishing during the late 19th to the early 20th centuries. Following Emancipation, White entertainers and musicians adopted Black stereotypes into minstrel show performances. Minstrel shows...

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Designing Emancipation

with Pierre Bowins
From the early 1830s to the signing of the Emancipation Proclamation outlawing slavery in 1863, Boston was the center of the American anti-slavery movement. Organizations such as the Massachusetts Anti-Slavery Society posted broadsides throughout the city to publicize the day’s...

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Black Design in America: African Americans and the African Diaspora in Graphic Design 19th – 21st Century Corporate License

Black Design in America: African Americans and the African Diaspora in Graphic Design 19th – 21st Century Corporate License

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Systems of Slavery and White Supremacy

with Ziddi Msangi
Slavery was a designed system that expanded into a mechanized and colonial tool of European empires. The proliferation of design products marketed to Africans on the continent, such as the Dutch wax prints of the company now known as Vlisco,...

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Black Design in America: African Americans and the African Diaspora in Graphic Design 19th Century – 21st Century

Black Design in America: African Americans and the African Diaspora in Graphic Design 19th – 21st Century is the first in a series of BIPOC Centered design history courses facilitated by Polymode. Through recorded lectures, readings, and discussions, the class...

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Afrikan Alphabets & African Diasporic Design Lineage

with Saki Mafundikwa
Counter to colonial notions of the savage or primitive African, there is a complex, rich and multi-cultural history of African design. From the research of graphic designer Saki Mafundikwa on Afrikan alphabets and graphic languages, this opening video will set...