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Queer Bundle

Celebrate Queer Histories in Design Bundle & Save 30% with code: HAPPYPRIDE This Pride Month, honor the rich, radical, and resilient legacy of queer creativity across continents and centuries. This three-class bundle dives deep into stories that have too often...

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(re)Creating Turtle Island: Native American Design Through Remembered History

Our fourth course is coming soon!! Join us for (re)Creating Turtle Island: Native American Design Through Remembered History. Classes will take place from mid-July through August. The classes in this course will revisit and rewrite a story of design history...

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Design Histories in Southwest Asia & North Africa: Voices from the SWANA Diaspora

Design Histories in the Southwest Asia & North Africa: Voices from the SWANA Diaspora 12th – 21st Century is a course that highlights the diversity of our communities and puts forward the most vulnerable in our liberation. For the SWANA...

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Free

On Queerness & Race in Brazilian Art & Design

Brazil, the largest country in Latin America, is “full of potential and imagination.” It is a land brimming with regional customs and traditions and multiple histories and encounters both clash and coalesce. This pair of lectures dig through layers of...

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The (Arab) Queering of Design Practice

It has taken many years for queer subjects from the SWANA region to be represented in design practice. It has taken even longer for queer voices from the design community to emerge. Marwan Kaabour and Wael Morcos both operate within...

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Black Queer Stories in Print: 19th Century to the Harlem Renaissance

In the 1830’s The Sun Newspaper ran a story never shared before in print: a man by day and woman by night who was on trial in New York for theft. Mary Jones/Peter Sewally was one of the earliest known...

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Free

Strikethrough: Typography Messages of Protest for Civil Rights

In the 1960s and 1970s of this country, everyday activists took to the streets with placards in their raised arms with urgent messages made visible in typographic form. This selection of protest graphics will focus on a Black experience. However,...

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Disorientating SWANA: A Journey Through Maps

South to North, East to West, where does SWANA begin, where does it manifest? Maps are more than a neutral representation of Earth; they are flattened, edited, labelled, distributed, and along the way, they are imbued with layers of subjectivities....

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A History of Arab Graphic Design

Arab graphic design emerged in the early 20th century out of a need to influence, and give expression to, the far-reaching economic, social, and political changes that were taking place in the Arab world at the time. But graphic design...

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Black Data: W.E.B. Du Bois and Data Visualization

Known for being a prolific author, renowned sociologist, fierce civil rights advocate for people of color, founder of the NAACP, and historian, WEB Du Bois was also a pioneer of data visualization. The American Negro was one initiative of the...

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Afrikan Alphabets & African Diasporic Design Lineage

Counter to colonial notions of the savage or primitive African, there is a complex, rich and multi-cultural history of African design. From the research of graphic designer Saki Mafundikwa on Afrikan alphabets and graphic languages, this opening video will set...

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On Typography and Language in Peru

This class will be an overview of the rich visual culture of Peru through the lens of typography and language. We’ll look at visual and written communication from pre-columbian times until the early 21st century, and explore the aesthetics of...

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Behind and Ahead of the Times: Histories and Futures of Black Futurity

The Black experience(s) in the United States cannot easily be extracted from how we are collectively situated in time: it is shaped simultaneously by the weight of past and present oppressions and the precarity of our futures. White supremacy would...

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Nicole Mourad

Living as a Lebanese American woman in today’s America has been a unique experience filled with so much community, culture, and a twinge of loneliness. While jumping into the world of design exposed me to so many rich diversities, it was still difficult at times to see myself and my people represented in the education I was receiving. Getting the opportunity to take the BIPOC SWANA course truly allowed me to indulge in not only the rich history of my culture, but the depth and visual beauty behind it. This course inspired me in a way that I had not been before, so much to the point that I booked a flight not much longer than a month after to Lebanon - to see where myself and much of the design I’d recently learned about had originated from. It was a blessing to participate in an experience that brings together minorities in such a rich and meaningful way.

Licenses for institutional use are available and customizable to fit your needs. Contact us at [email protected] to provide your students, employees, and designers with access to our BIPOC Design History Course.

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